We’ve got two wonderful performances coming up that we think you’ll enjoy very much! The first is on Sunday, January 22nd at 2pm at the Chapel at Mary’s Woods in West Linn. If you haven’t been there, you really owe it to yourself to experience music performed in this amazing acoustic, which is also visually stunning as well. We’ll be playing David Ludwig’s celestial composition, String Quartet No. 1 “Pale Blue Dot”, which was inspired by the journey of the Voyager spacecraft out of our home solar system. It involves a bit of choreography on the part of the quartet, which also makes it a very unusual piece! It is written in an accessible, tonal style, and audiences have loved it when we’ve performed it previously. The remainder of the program is taken up by Dvorak’s last string quartet, the Quartet No. 14 in A-flat major, Op. 105. It is a gorgeous quartet that is inexpliably not played all that often. Tickets and information about the Mary’s Woods concert series is available here: http://maryswoods.org/music-in-the-woods/
The following weekend (Sunday, January 29th at 2:30 pm), we’re in Salem, performing our nearly annual concert for the Camerata Musica series, which we absolutely love. We’ll be playing Anton Webern’s early Langsamer satz (slow movement), which is written in a highly Romantic style, before he began his experimentation with atonality and the 12-tone method of composition. After that, we’ll be playing two big quartets: Beethoven’s C-sharp minor quartet, Op. 131, and the Dvorak Op. 105. Two very different quartets from two great composers at the tops of their compositional games. Camerata Musica concerts are free admission for all. Info is available here: http://www.cameratamusica.org/series.html
Finally, our regular cellist, Heather Blackburn is unable to perform these two concerts with us, but we were able to secure a splendid substitute that may be familiar to some of you.
Pansy Chang was once a member of the cello section of the Oregon Symphony, and who subsequently joined the Portland band Pink Martini and had a university teaching career in Ohio for over a decade. It’s quite a task to learn and re-learn repertoire with a substitute player, but Pansy is more than up for the challenge (as are we) and we’re happily working up these two concerts for you!
Here is some more information about Pansy:
Pansy Chang, violoncellist, has performed in North America, Europe, Asia, and the Middle East as a soloist, chamber, and orchestral musician. She has appeared with the Chamber Music Society of Lincoln Center and Chamber Music Northwest, on Bob Sherman’s “Listening Room” – WQXR New York, and in both the Yale University Spectrum Series at Weill Hall and the Yale Faculty Artist Series in New Haven.
Associate Professor of Violoncello at Miami University of Ohio from 2001-2016, she has recently returned to the Portland, Oregon area. Prior to joining the Miami University music faculty, she served for two years as Assistant to Professor Aldo Parisot and Lecturer in Violoncello at the Yale University School of Music, and for four years as a member of the Oregon Symphony.
Concerto appearances include performances with the National Symphony Orchestra in Washington, DC, the Oregon Symphony, and many regional orchestras in the Washington, DC and Portland metropolitan areas. Ms. Chang also performs with the Portland, Oregon-based band, Pink Martini, whose appearances with orchestra include performances with the Boston Symphony, Cleveland Orchestra, and the Los Angeles Philharmonic.
An avid pedagogue, she has given master classes at the Beijing Conservatory in China and Yale School of Music, and has served on the faculties of the Marrowstone Music Festival and the Chicago Suzuki Institute.
Ms. Chang was awarded a Fulbright Grant for study in the United Kingdom, and was a semi-finalist in the Leonard Rose International Cello Competition.
Ms. Chang earned her Bachelor of Music and Master of Music degrees at the University of Southern California and Yale University School of Music, respectively, and principal teachers include Aldo Parisot, William Pleeth, Eleonore Schoenfeld, Evelyn Elsing, and Susan Kelly.
Pansy Chang can be heard on the Pink Martini albums, as well as on recordings of works by Ezra Laderman and Martin Bresnick, released by Albany Records, and works by Ben Wolfe, released by Amosaya Music and Planet Arts Recordings.